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Enough! Too long! I’ve just deleted all the drafts of posts between now and February that I’ve never finished and published, and I’m starting again, again…
To kick things back off, then, a special screening of David Lynch’s The Straight Story at the Ritzy in Brixton. It was a rescore, done live by Big Chill friends and Sheffield duo Animat, and follows their hugely well received rescore of French animation Belleville Rendezvous. The Straight Story rescore included (apparently – I’d not seen the film before) a lot of the original score by Angelo Badalamenti, who has written the scores for most of David Lynch’s films, I think, mixed in with their own electronica compositions, plus tracks from the dj vaults. Given that it was a very scenic film, with lots of both close-ups of people’s faces, and panoramic shots of huge vistas, I think it was a great one to rescore, and sat well with Animat’s music. My only problems were the quality of the film – it looked like it was a dvd, which doesn’t look all that great on a cinema screen – and that the soundtrack occasionally got in the way of the dialogue. Other than that, enchanting stuff.
So much for catching up… and of course with a backlog I never get around to what I’m actually enjoying currently, because I have to clear my plate first. No more! Enough!
For completion’s sake, and then it’s done, here are two months worth of highlights:
December saw the consumption of Wes Anderson’s The Darjeeling Limited, Kenneth Branagh’s The Magic Flute, Disney’s Enchanted, the Lee Miller and craft exhibitions at the V&A, an inspiring talk by Jeremy Begbie at the LICC, comedy from Mark Thomas, dinners at Abeno and Canteen, the Barbican’s Jack and the Beanstalk and the Criterion’s 39 Steps, and Christmas atmosphere at Dennis Severs’ House.
January was much quieter, with a new purchase of an old Rufus Wainright album, Rufus Wainright (brilliant); a visit to the new gem gallery at the Natural History Museum (a little disappointing, with too many exhibits ‘temporarily removed’); the Age of Enchantment exhibition at the Dulwich Picture gallery (beautiful); and my first visit of the year to Kew Gardens.
I might as well clear February out of the way too, while I’m at it: two stunning films – both of which have recently won Oscars – No Country for Old Men and There Will be Blood; a jaunt to Barcelona, and to go with it George Orwell’s Fighting in Spain (a very poorly edited – unacceptable from Penguin – extract from Homage to Catalonia); a surprisingly arresting read in Anita Diamant’s The Red Tent; a second visit to Kew; and last night, a spoken word performance from the ever-compelling Saul Williams. Absolutely thrilling.
Here’s to fairer blogging weather in 2008! The poetry project has got off to a good start; I’ll have to see if I can replicate my dedication here…
November was a great month. It kicked off with a magical mystery date to Lucha Britannia’s ‘day of the dead spectacular’, which was awesome. Lucha Britannia nights, in their own words, are ‘a mixture of British World of sport/Mexican Lucha Libre wrestling, wrapped up in a bizarre cabaret show set in an Orwellian near future, where the “Yankee Bosch” have taken over the world and banned all forms of entertainment they don’t control’. I’ve always been faintly horrified by wrestling, and I wasn’t sure what to expect from the night, but it was fantastic fun. The wrestling itself was both a lot more entertaining and impressive than I would have expected (a four-way luchador fight plus ladder at the end had the whole crowd extremely excited), and although the cabaret was a little more, er, extreme than I might have liked, it too was quite a show. Best of all was the vibe of the night, with the back-story to enter into and a superbly dressed, friendly crowd (we enjoyed dressing up too). We’ll definitely be going again, although they don’t seem to be happening as often as they did earlier on last year. Here’s a short piece/interview from Time Out and here are my photos on flickr (warning: one photo is NSFW).
Following this great review Dan and I went to see The Counterfeiters, a German film set in a concentration camp where the prisoners’ dilemma hinges on whether or not to comply with counterfeiting the American dollar. It was fascinating, brutal, horrifying and totally absorbing – and based on fact: Operation Bernhard aimed to destabilise the British, and then American, economies by flooding the market with counterfeit currency. Krueger’s Men, published a couple of years ago, looks like the definitive account of the plot; here’s a fascinating article about how the film came to be made.
A quick jaunt to Rome in the middle of the month: my first visit to the eternal city. The weather was beautiful – mild but slightly crisp – and it wasn’t too busy. The whole trip, though short, really deserves its own post (or three), but the two things that remain lodged in my mind are sunny walks just exploring the city and its architecture, and visiting the Basilica of San Clemente. San Clemente is not just a beautiful twelfth-century basilica with exquisite frescoes and mosaics, but is built on top of a fourth-century basilica, which was built on top of a second-century Roman house, which contains a Mithraic temple – and you can walk down into each level. Extraordinary. The day that we flew back news was breaking that archaeologists have discovered what they think is the lupercale – the cave in which Romulus and Remus were suckled by a wolf. My photos from the trip are here.
Back home, the Photographic Portrait Prize 2007 at the National Portrait Gallery. The photograph used for the publicity for this exhibition was so arresting that I decided I had to go and see it, and it was a great little show – just the right size for a Friday night, with some really compelling portraits. It’s on until March; below is the winning portrait.
